Nady Systems Stereo Amplifier Encore I User Manual

VHF W ire le ss Micro p h o n e Sy ste m  
 
CONTENTS  
INTRODUCTION  
Thank you for purchasing a Nady Encore I Wireless Microphone System and  
congratulations on your choice. The Encore I is loaded with top professional operat-  
ing features and is the best performance and price value available in VHF wireless  
systems.  
CONTENTS ........................................................................................... 2  
INTRODUCTION .................................................................................... 3  
USING THIS MANUAL............................................................................ 3  
SYSTEM FEATURES ................................................................................ 4  
ENCORE I RECEIVER .............................................................................. 5  
WHT-15 HANDHELD MICROPHONE TRANSMITTER ................................. 8  
USING THIS MANUAL  
This booklet gives instructions for the operation of the Encore I VHF wireless, including  
handheld, instrument, lavalier, headmic and plug-in transmitter systems. Please read  
the instructions for your system completely before operating unit.  
This manual will first list the features of the Encore I and then will take you step by  
step to show you how to operate your new system. After reading the receiver  
instructions, turn to the section of the booklet that covers the type of transmitter used  
with your new system. Each section will give you detailed operating instructions. Also  
included in this manual are system specifications and servicing information.  
WLT-15 LAVALIER/ LAPEL OR HEADWORN MICROPHONE  
BODYPACK TRANSMITTER ................................................................... 10  
WGT-15 INSTRUMENT BODYPACK TRANSMITTER................................. 12  
THE LINK 2™ PLUG-IN TRANSMITTER. .................................................. 14  
SPECIFICATIONS ................................................................................. 17  
SERVICE .............................................................................................. 18  
3
2
 
SYSTEM FEATURES  
ENCORE I RECEIVER  
1. Rackmounting the Receiver  
There are 2 options available for rackmounting the Encore I receiver: singly or side-  
by-side with another Encore Series receiver.  
• Available on selected frequencies in the VHF high band  
(171-216 MHz) for interference-free, long-range performance  
• Proprietary companding circuitry for an industry-best 120dB Dynamic Range,  
and the clearest, most natural sound available  
• Operating Range: Up to 250 feet typical (depending on site conditions) – up to  
500+ feet line-of-sight  
a. Single mounting: Remove the receiver SIDE MOUNT CLIP (1) from each side of  
the receiver (as shown) and slide in the optional ERM-12 RACK EARS (9).  
b. Side-by-side double mounting: After removing the SIDE MOUNT CLIPS (1) from  
both Encore receivers, join the two receivers with the EJC-2 JOINING CLIP (10)  
and attach the ERM-22 RACK EARS (12) as shown. (Note: Do not mount the  
receiver in a rack directly above an amplifier or other source of high heat this  
could degrade the performance of the Encore I. Always ensure adequate  
airflow and heat dissipation in any rack configuration.)  
• Noise-free transmitter ON-OFF operation  
• Rugged, foam-padded traveling case provides easy, safe transport and storage  
ENCORE I RECEIVER  
• Half-rack receiver design with retractable front panel antenna  
• RF and AF 5-LED displays for monitoring incoming signal strength  
and audio level  
• Balanced XLR and unbalanced adjustable 1/4" jack outputs  
• Mute (squelch) adjust control  
• Externally powered by AC/DC power adapter  
• Unique snap-out panel locking tabs for single receiver or dual receiver  
(side-by-side) optional rack mounting  
2. Powering the Receiver  
Plug the 12V AC/ DC ADAPTER (15) provided into the DC INPUT JACK (11) on the  
back of the receiver. Then plug the power supply into an AC outlet. (Note: Any 12V  
DC source with 400mA capability can also be used.) Press the POWER SWITCH (8)  
once to turn on the receiver. The POWER ON LED (7) will now light and the receiver  
is operational.  
3. Antenna  
WHT-15 HANDHELD MIC TRANSMITTER  
The Encore I receiver is supplied with a TELESCOPIC ANTENNA (16). This should be  
extended fully to obtain maximum range. Optimal antenna position is vertical. For  
maximum range, it is always best to maintain a line of sight (no obstructions)  
between the receiver antenna and the transmitter at all times whenever possible.  
• Features the Nady DM-10D unidirectional neodymium dynamic cartridge for  
optimum true sound, maximum feedback rejection and minimal handling noise  
• OFF/STANDBY/ON switch allows convenient audio muting with the  
transmitter "ON"  
• Low battery LED indicator flashes once for unit "ON"; lights steady for low  
battery alert  
• Rubber, "easy-mount" mic clip included  
4. Mute (Squelch) Adjustment  
In normal operation, the MUTE CONTROL (2) should be set fully counterclockwise to  
the factory preset minimum RF level. However, in areas of high RF activity, the mute  
(or squelch, as it is sometimes called) may need to be adjusted to compensate for the  
adverse conditions in a particular location. If, with the transmitter off, one or more  
LEDs of the 5 LED RF LEVEL DISPLAY (4) flicker or stay on, the squelch control should  
be turned clockwise until the LEDs extinguish. When the squelch is properly adjusted,  
the RF LEVEL LED displays will only light when the system transmitter is turned on.  
Turning the squelch control too far clockwise will reduce the range, but yield a quieter  
mute (squelch) function. When the 5 LED RF LEVEL display extinguishes, the transmit-  
ter is out of range for that given location, and the user should move closer to the  
receiver to re-establish the radio link.  
WGT-15 & WLT-15 BODYPACK TRANSMITTERS  
• Choice of instrument (WGT-15) or headworn/lavalier microphone (WLT-15)  
bodypack transmitter  
• OFF/STANDBY/ON switch allows convenient audio muting with the  
transmitter "ON"  
• Low battery LED indicator flashes once for unit "ON"; lights steady for low  
battery alert  
• Locking 3.5mm mini-jack provides secure connection for removable micro  
phone or instrument cable  
• Easily accessible input level adjust control for optimum sound  
LINK 2™ PLUG-IN TRANSMITTER  
• Plug-in transmitter converts your favorite XLR handheld or lavalier micro  
phone to wireless instantly  
• Rugged construction and positive locking connector for reliable performance  
• Selectable phantom power and LO/HI audio input level  
• Optional leatherette pouch with clip available for use as bodypack  
4
5
 
16  
5. Connecting the Audio Output  
The Encore I receiver provides both a fixed mic level BALANCED AUDIO OUTPUT XLR  
(14) and an adjustable line level UNBALANCED AUDIO OUTPUT 1/ 4" JACK (13).  
The level from the UNBALANCED OUTPUT is controlled by the rear panel VOLUME  
CONTROL (6). (Note: As when making any connection, make sure the amplifier or  
mixing board volume is at the minimum level before plugging in the receiver to avoid  
possible sound system damage. Also make sure that the phantom power on the input  
of the mixer is turned OFF before making connection to the receiver.)  
7
a. Instrument Connection (using the WGT-15 instrument transmitter)  
Insert an audio cord with a 1/4" mono phone plug in the UNBALANCED  
OUTPUT JACK (13) on the rear panel of the receiver. Plug the other end of the  
cord into an amplifier, effects, or mixing board. Adjust the VOLUME CON-  
TROL (6) on the Encore I receiver clockwise to about 3/4 rotation, until the  
volume level is comfortable for your application. This setting is roughly  
equivalent to a direct instrument cord connection. Turning the volume up to  
maximum will provide 4dB gain over a cord.  
5
8
4
b. Microphone Connection (using the WLT-15 transmitter with either a headset  
or lavalier microphone or the WHT-15 handheld microphone transmitter)  
For microphone use, either the BALANCED MIC AUDIO OUTPUT XLR (14) or  
the 1/4" line level UNBALANCED OUTPUT (13) can be used. The XLR output  
is set at a non-adjustable microphone level, similar to hardwired mic levels.  
Plug an XLR connector into the XLR output jack on the rear of the unit and plug  
the other end into your amplifier or mixing board. (Note: Make sure the  
phantom power on your mixing board is turned off and the volume is turned  
down when making connections.)  
12-15V  
VOLUME  
MUTE  
UNBALANCED OUT DC INPUT  
BALANCED OUT  
15  
11  
6
2
13  
14  
For your convenience, the XLR output level is preset at the factory and is not  
adjustable with the receiver volume control. To use the 1/4" UNBALANCED  
OUTPUT JACK (13), follow the instructions for the Instrument Connection  
(above), except start with the receiver volume at 1/2 MAX and adjust the  
volume control until the volume level is optimal. If the volume control is set too  
high, you may overload your mixer or amp.  
1
9
9
1
12  
10  
12  
6
7
 
WHT-15 HANDHELD MICROPHONE TRANSMITTER  
1. Unscrew the BATTERY COMPARTMENT COVER (17) and remove, exposing the  
BATTERY HOLDER (18). Insert a fresh 9V ALKALINE BATTERY (19), observing the  
correct polarity as marked, and screw the cover back on to the microphone. Make  
sure the cover is screwed on completely. A fresh alkaline battery can last up to 16  
hours in use, but in order to ensure optimum performance, it is recommended that  
you replace the battery after every 10 hours of use.  
2. Turn on the WHT-15 by sliding the OFF/ STANDBY/ ON SWITCH (20) to the  
STANDBY position (transmitter on, audio muted) or the ON position (transmitter  
and audio both on). The BATTERY INDICATOR LED (21) will give a single quick flash,  
indicating usable battery strength. In the case of a dead or low battery, the LED will  
either not go on at all or will stay on continuously, indicating that the battery should  
be replaced with a fresh one. To preserve battery life, turn the transmitter off when  
not in use.  
21  
20  
17  
3. The microphone is now ready to use. Most or all of the RF LEVEL DISPLAY  
LEDs (4) on the Encore I receiver should now be lit, indicating a received signal  
from the transmitter. When ready to speak, slide the transmitter switch to the ON  
position. Adjust the volume of the receiver as per the Audio Output Microphone  
Connection section of the above Encore I receiver instructions. The AF LEVEL  
LED DISPLAY (5) on the Encore I receiver will light up to 5 LEDs (4 green and 1 red)  
for all input signals. Occasional flickering on and off during use of the top red LED  
indicator in this display is normal, however if the red LED stays on continuously,  
it means the signal is too loud and there is the possibility of overload distortion. Back  
off from the microphone until the red LED indicator only flickers on peaks.  
21  
20  
[Note: Observe care in selecting P.A. volume, transmitter location and speaker  
placement so that acoustic feedback (howling or screeching) will be avoided.]  
18  
[Note: Microphone elements can easily be destroyed by the buildup of salts and  
minerals from perspiration and saliva. It is good practice to put a windscreen on the  
mic element at all times to protect it.]  
19  
17  
8
9
 
WLT-15 LAVALIER/ LAPEL OR HEADWORN MICROPHONE  
BODYPACK TRANSMITTER  
24  
1. Snap open the BATTERY COMPARTMENT (22) and insert a fresh 9V BATTERY (23),  
observing the correct polarity. Close the compartment.  
29  
28  
2. The WLT-15 is provided with a 3.5 mm LOCKING JACK (24) for connecting the  
microphone. Plug in either the LAVALIER/ LAPEL (25) or the HEADWORN MICRO-  
PHONE (26), as supplied. To secure the connection, turn the metal slip ring on the  
plug clockwise to thread it on to the jack. To unplug, reverse the process. Slip the  
transmitter into a pocket or clip on to your clothes. To use the lavalier mic, attach it at  
chest level. Do not place too close to the mouth a distance of about six inches  
usually works best. To use the headworn mic, place it on the head and adjust the mic  
boom so that the mic is about one inch to the side of the front of the mouth. (Note:  
The lavalier or headworn mic wire is also the transmit antenna, and rolling up or  
shortening the wire may reduce the effective operating range. Extend the wire fully  
during use, and keep it as straight as possible.)  
27  
22  
25  
3. Turn on the WLT-15 by sliding the OFF/ STANDBY/ ON SWITCH (27) to the  
STANDBY position (transmitter on, audio muted) or the ON position (transmitter and  
audio both on). The BATTERY INDICATOR LED (28) will give a single quick flash,  
indicating usable battery strength. In the case of a dead or low battery, the LED  
either will not go on at all or will stay on continuously, indicating that the battery  
should be replaced with a fresh one.  
26  
4. The microphone is now ready to use. Most or all of the RF DISPLAY LEDs (4) on  
the Encore I receiver should now be lit, indicating a received signal from the  
transmitter. When ready to speak, slide the transmitter switch to the ON position  
and adjust the volume of the receiver as per the Audio Output Microphone  
Connection section of the above Encore I receiver instructions. The AF LEVEL LED  
DISPLAY (5) on the Encore I receiver will light up to 5 LEDs (4 green and 1 red) for  
all input signals. Occasional flickering on and off during use of the top red LED  
indicator in this display is normal, however if the red LED stays on continuously, it  
means the signal is too loud and there is the possibility of overload distortion.  
Re-position the microphone farther from the source or adjust the AUDIO INPUT  
LEVEL CONTROL (29) until the red LED indicator flickers only on the loudest inputs.  
[Note: Observe care in selecting P.A. volume, transmitter location and speaker  
placement so that acoustic feedback (howling and screeching) will be avoided.  
Please also observe the pickup patterns of the microphone selected: omnidirectional  
mics pick up sound equally from all directions and are prone to feedback if not used  
carefully. Unidirectional mics are more resistant to feedback, but pick up sound  
sources best that are directly in front of the mic. Also, mics that are farther from the  
sound source, such as lavaliers, require more acoustic gain and thus are also more  
prone to feedback than close-source mics such as handheld or headworn mics that  
are used close to the mouth.]  
22  
Opening Battery Compartment  
(Note: Microphone elements can easily be destroyed by the buildup of salts and  
minerals from perspiration and saliva. It is good practice to put a windscreen on the  
mic element at all times to protect it.)  
23  
10  
11  
 
WGT-15 INSTRUMENT BODYPACK TRANSMITTER  
32  
35  
1. Snap open the BATTERY COMPARTMENT (30) and insert a fresh 9V BATTERY (31),  
observing the correct polarity. Close the compartment. The WGT-15 is provided  
with a 3.5 mm LOCKING JACK (32) for connecting the INSTRUMENT CABLE (35). To  
secure the connection, turn the metal slip ring on the plug clockwise to thread it on to  
the jack. To unplug, reverse the process. Slip the transmitter into a pocket or clip on  
to your clothes or instrument strap. (Note: As the cord to the instrument also serves as  
the antenna, be sure to extend it fully for maximum range. Rolling up or shortening  
the cord may reduce the effective operating range.)  
34  
33  
32  
30  
2. Turn on the WGT-15 by sliding the OFF/ STANDBY/ ON SWITCH (32) to the  
STANDBY position (transmitter on, audio muted) or the ON position (transmitter and  
audio both on). The BATTERY INDICATOR LED (33) will give a single quick flash,  
indicating usable battery strength. In the case of a dead or low battery, the LED  
either will not go on at all or will stay on continuously, indicating that the battery  
should be replaced with a fresh one.  
3. The WGT-15 transmitter is now ready to use. Most or all of the RF DISPLAY LEDs  
(4) on the Encore I receiver should now be lit, indicating a received signal from the  
transmitter. Adjust the volume of the receiver as per the Audio Output Instrument  
Connections section of the above Encore I receiver instructions. For optimum  
performance, an INPUT LEVEL CONTROL (34) is provided on the top panel of the  
WGT-15. Adjust the gain by turning the control with a small slot head screwdriver.  
It is recommended that this control be turned to maximum gain. However, for ultra  
high-gain instrument sources such as active bass pickups or even extra hot guitar  
pickups, turning the level down slightly will create a cleaner sound. (Note: Turning  
down the input gain too much can compromise the signal-to-noise ratio and is not  
recommended. Set for the maximum possible gain and headroom without noticeable  
distortion on the high level peaks).  
The AF LEVEL LED DISPLAY (5) on the Encore I receiver will light up to 5 LEDs (4  
green and 1 red) for all input signals. Occasional flickering on and off during use of  
the top red LED indicator in this display is normal, however if the red LED stays on  
continuously, turn down the instrument volume or adjust the INPUT LEVEL CONTROL  
(34) on the WGT-15 transmitter, or noticeable distortion may result.  
(Note: Scratchy noises can sometimes occur when some electric guitars/basses with  
dirty pots or connections are used with any wireless system. For this reason, the  
supplied INSTRUMENT CORD (35) has a factory installed capacitor inside the 1/  
4" plug. This capacitor provides first order filtering of the RF signal from the cord  
into the guitar and eliminates virtually all scratchy noises. Should your equipment still  
give you scratchy noises, we suggest these steps to eliminate them:  
1) Make sure all guitar volume and tone pots are clean and all contacts are  
solid this is very important.  
30  
Opening Battery Compartment  
2) Provide extra filtering with a 220 pF capacitor soldered across the hot to  
ground terminals of the guitar's volume and tone pots.)  
31  
12  
13  
 
THE LINK 2PLUG-IN TRANSMITTER  
4. Microphone Operation  
a. Turn on the Link 2 by sliding the ON/ STANDBY/ OFF SWITCH (41) to the  
STANDBY position (transmitter on, audio muted) or the ON position (transmitter  
and audio both on). The LOW BATTERY INDICATOR LED (40) will give a single  
quick flash, indicating usable battery strength. In case of dead or low battery,  
the indicator will either not go on at all or stay on continuously, indicating a  
battery voltage below 7V. If this occurs, replace with fresh 9V battery. Remem-  
ber to turn the transmitter off when not in use.  
b. The Link 2 is now ready to use. Most or all of the RF DISPLAY LEDs (4) on the  
Encore I receiver should now be lit, indicating a received signal from the  
transmitter. When ready to speak, slide the transmitter switch to the ON position  
and adjust the volume of the receiver as per the Audio Output Microphone  
Connection section of the above Encore I receiver instructions. The AF LEVEL LED  
DISPLAY (5) on the Encore I receiver will light up to 5 LEDs (4 green and 1 red)  
for all input signals. Occasional flickering on and off during use of the top red  
LED indicator in this display is normal, however if the red LED stays on continu-  
ously, it means the signal is too loud and there is the possibility of overload  
distortion. Re-position the microphone farther from the source or adjust the  
Link 2 transmitter gain with the VOLUME LO/ HI GAIN SWITCH (39). Set for the  
maximum possible level without noticeable distortion on the high level peaks. Set  
the GAIN SWITCH to LO to decrease the audio level, and set the GAIN SWITCH  
to HI to increase the audio level. The red LED indicator should flicker only on the  
loudest inputs.  
1. Transmitter Set-Up  
First, slide open the BATTERY COMPARTMENT DOOR (43) to expose compartment.  
Insert a fresh 9V ALKALINE BATTERY (45), observing polarity. Close the battery  
compartment door.  
2. Handheld Microphone Installation  
Step 1 - Rotate the transmitter's threaded LOCKING RING (37) clockwise  
toward the XLR CONNECTOR (36) until it stops.  
Step 2 - Hold your mic in one hand and The Link 2 in the other.  
Step 3 - Plug your mic into the XLR CONNECTOR.  
Step 4 - Lock the mic into place with the adjustable threaded LOCKING RING  
by rotating the ring, counterclockwise, to the top of the transmitter.  
Step 5 - To release the XLR CONNECTOR, turn the threaded LOCKING RING  
clockwise and press the RELEASE BUTTON (44).  
3. Lavalier Microphone Installation  
The lavalier microphone you are using must terminate with an XLR connector and  
conform to the pin assignments shown below. If it does not conform or is supplied  
with a different connector, you must use an appropriate adapter or the lav mic may  
not work with the Link 2. If you have any questions, please contact your Nady dealer  
or Nady SystemsCustomer Service Department.  
Note: The pin assignments on The Link 2s XLR connector are as shown:  
(Note: Observe care in selecting P.A. volume, transmitter location and speaker  
placement so that acoustic feedback (howling and screeching) will be avoided.  
Please also observe the pickup patterns of the microphone selected: omnidirec-  
tional mics pick up sound equally from all directions and are prone to feedback  
if not used carefully. Unidirectional mics are more resistant to feedback, but pick  
up sound sources best that are directly in front of the mic. Also, mics that are  
farther from the sound source, such as lavaliers, require more acoustic gain and  
thus are also more prone to feedback than close-source mics such as handheld  
or headworn mics that are used close to the mouth.)  
Ground  
1
6.2K  
3
XLR  
Connector  
Top View  
2 6.5K  
Phantom Volt. (full 9V battery  
voltage) switchable  
1
2
Mic  
Input  
3
(Note: Microphone elements can easily be destroyed by the buildup of salts and  
minerals from perspiration and saliva. It is good practice to put a windscreen on  
the mic element at all times to protect it.)  
Note: Select phantom power, as needed, with the PHANTOM POWER ON/ OFF  
SWITCH (42).  
15  
14  
 
SPECIFICATIONS  
ENCORE I OVERALL SYSTEM PERFORMANCE  
Frequency Response  
Dynamic Range  
25-20,000 Hz, +/-3dB  
120dB  
38  
Total Harmonic Distortion  
RF Carrier Frequency Range  
Frequency Stability  
Modulation  
< 0.3%  
169-216 MHz  
+/- 0.005%, crystal controlled  
FM (F3E), +/-20KHz max.  
Up to 250 ft. typical (depending on site  
conditions); up to 500+ feet optimum  
line-of-sight  
Operating Range  
44  
TRANSMITTERS  
43  
36  
Audio Inputs  
WHT-15  
WLT-15/ WGT-15  
Nady DM-10D neodymium dynamic cartridge  
3.5mm mono locking jack for connecting to omni  
or unidirectional lavalier mic or unidirectional  
head worn mic, with phantom power (WLT-15);  
or connecting to instrument cable (WGT-15)  
Locking XLR jack for connecting to microphone or  
cable, with selectable phantom power  
37  
41  
39  
LINK 2™  
Controls  
WHT-15  
WLT-15/ WGT-15  
LINK 2™  
OFF/STANDBY/ON switch  
OFF/STANDBY/ON switch, input level adjust  
OFF/STANDBY/ON, LO/HI Level, and ON/OFF  
Phantom power switch  
Unit "ON" (single flash),  
Low Battery Alert (steady)  
50mW (Max. allowed by FCC)  
> 40dB  
40  
42  
LED Indicator  
36  
37  
XLR Connector Connects microphone to the transmitter module for signal input  
Locking Ring Locks microphone to the transmitter  
RF Power Out  
Harmonic & Spurious Emissions  
Battery  
Battery Life  
Dimensions  
WHT-15  
WLT-15/ WGT-15  
LINK 2™  
Weight (w/ o battery)  
WHT-15  
WLT-15/ WGT-15  
LINK 2™  
38 Optional Pouch For lavalier bodypack operation (with beltclip and strap ring for  
9V Alkaline  
Up to 15 hours  
securing)  
39  
Gain Control Switch Adjusts the input sensitivity (LO or HI)  
Low Battery LED Single flash (power on), lit steady (low battery)  
Power Switch - Turns the power ON/STANDBY/OFF. In standby position, the power is  
on and the audio is off.  
9.5" X 1.4" Diam. (24.1 X 3.5 cm)  
4.1" X 2.4"X 0.8" (10.4 X 6.1 X 2.0 cm)  
4.5" X 1.5" X 1.25" (11.4 X 3.8 X 3.2 cm)  
40  
41  
6.9 oz (193 g)  
3.6 oz (101 g)  
2.6 oz (71 g)  
42  
43  
44  
45  
Phantom Power ON/ OFF Switch Turns the phantom power ON/OFF  
Battery Compartment  
Release Button Press to release XLR connector  
9V Alkaline Battery  
17  
16  
 
ENCORE I RECEIVER  
Controls  
Connectors  
Power ON/OFF, volume control, mute control  
Balanced XLR and unbalanced adjustable  
1/4" audio out jacks, 2.1 mm barrel-type  
DC input jack  
LED Indicators  
Dimensions (Max.)  
Weight  
Power ON, 5-LED RF & AF level displays ,  
1.75" x 7.5" x 8.1" (4.4 x 19 x 20.7 cm)  
1.6 lbs (.73 kg)  
Power Requirements  
12V @ 400mA, nominal,  
AC/DC adapter supplied  
11.2" (28.5 cm), single telescopic  
Antenna  
SERVICE  
(U.S.) Should your Nady Encore I Wireless Microphone System require service,  
please contact the Nady Service Department via telephone at (510) 652-2411 or e-  
mail to [email protected] for a Return Authorization (R/A) Number and a  
service quote (if out of warranty). Make sure the R/A Number is clearly marked on  
the outside of the package and enclose a cashiers check or money order (if not  
prepaid with a credit card). Ship the unit prepaid to: Nady Systems, Inc., Service  
Department, 6701 Shellmound Street, Emeryville, CA 94608. Include a brief  
description of the problems you are experiencing.  
The warranty card enclosed with this system contains additional valuable warranty  
and service information. Keep it in a safe place for future possible reference. Do  
not attempt to service this unit yourself as it will void the warranty.  
(International) For service, please contact the Nady distributor in your country  
through the dealer from whom you purchased this product.  
18  
 
Nady Wireless Systems are type accepted under FCC rules parts 90, 74 and 15. The  
device complies with RSS-210 of Industry & Science Canada. Operation is subject to  
the following two conditions: (1) this device may not cause harmful interference and (2)  
this device must accept any interference received, including interference that may  
cause undesired operation.  
NADY SYSTEM S, INC.  
6701 Shellmound Street Emeryville, CA 94608 USA  
Tel: 510/652-2411 Fax: 510/652-5075  
 

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